These Words Are Broken – We Need New Ones

As I dive more and more into transmedia and video game design, something has been bothering me. It started building my head when I was on the “Narrative Design” track at GDC Online, and has been growing ever since. In a nutshell, the problem is this:

“Writing” is only a small portion of what writers actually do these days.

Sure, I could get semantic on this point – technically what writers do nowadays is typing instead of writing manuscripts out by hand – but even the more liberal interpretation is becoming awkward. The idea of the professional who does nothing but sit at a typewriter or computer, churn out a manuscript or Word document, send it in, get paid, and move on to the next one is increasingly inaccurate. Now freelance writers need to know skills like blogging and marketing and networking, and that’s aside from other non-writing skills like research and editing that have been part of the craft for over a century now. It’s not uncommon for writers to have to learn things like HTML or audio recording or how to be interviewed in order to supplement their careers. But even then, while there might be a decreasing percentage of sitting at the computer and typing out stuff for people to read, it’s still a significant percentage for the purely prose writer.

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The Great Game

Before we start our tour, I should explain a bit about the world of Sherlockian research.

Go to any website for fans of a popular property: Lost, Star Trek, Battlestar Galactica – doesn’t matter. Look at all of the arguments, conflicts, and endless discussions of extremely minor points of the canon. Check out the scale of fan fiction written about the property. Dig into the wide range of fan approach to the property, from positively academic to utterly insane.

Extrapolate that to a fandom lasting well over a century, and you start to get a sense of Sherlockian fandom. Before there was an Internet, radio, or even much of what we now consider mass media, Sherlock Holmes fans were writing stories about the Holmes’ “missing cases” or arguing about the nature of Watson’s war wound. I’m pretty sure that if there was a medium invented between the late 19th century and now, someone has used it to write a pastiche or give their opinions about some point of Sherlockian canon.

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Introduction to the Tour de Holmes

For most of my life, I’ve been a Sherlock Holmes fan. One of my first “grown-up” books was a worn copy of the first half of the canon given to me by my father, and I devoured it. I didn’t understand all the words, and the ones I did understand caused me to constantly confuse American and British spellings through my childhood, but I loved every page. I didn’t quite understand why it was important to study the fact that bruises wouldn’t form on a corpse, or why there were a wide variety of tobaccos that left an equally wide variety of ash. All I knew is that when Holmes admonished Watson for not knowing how many stairs there were leading up to their rooms at 221B Baker Street in “A Scandal in Bohemia,” I went right home and made sure to count the number of stairs leading up to my bedroom, so that I would be ready whenever that information became important in a murder investigation.

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My Three Journals

Between a passing mention on Twitter about my journal habits and me starting a new journal, I thought it was a good point to talk about my obsession with moleskine journals.

For many years now, I’ve been using moleskine journals for notes and other bits of writing. I started off with lined pocket-sized ones so I could easily carry them around in my pocket, but over time I’ve moved to the gridded large-sized ones, as they fit nicely in my bag and provided more room and structure as I moved more into design over just straight writing. Since my very first one, I’ve had a ritual of writing my name and address on the cardboard page, carefully hand-numbering every page in the book, and then writing my first entry on the shitty first page that never seems to be glued down right.

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