Flagons and Vampires

Flagons and Dragons

My interview on the horror genre for the Flagons and Dragons podcast is now online. Carl was a wonderful host, and I had a great time talking about horror, therapy, why Werewolf is a different kind of awesome from Vampire, and my shameful appreciation of Stephen King.

You can listen for yourself at the Flagons and Dragons website: http://flagonsanddragons.com/interview-with-eddy-webb-game-designer-and-author/

 

Stuff I’m Doing

I’ve been focused on work and writing a lot lately, so I haven’t had many chances to update. However, some things have broken loose that I can talk about.

The “not quite as big but still exciting” update is that Slices of Fate is now available in ePub and mobi (Kindle) formats, as well as print on demand. If you already bought the PDF, the other formats are now available for free from DriveThruFiction.com. And right now, it’s on sale! I actually get dividends from this, so please go buy a copy if you want to support my work.

The biggest is that one of the anthologies I’m slated for has been announced: Have Blaster, Will Travel, a fiction anthology for the Bulldogs! role-playing game. I’m looking forward to working on a sci-fi property, and especially excited to be working with J.R. Blackwell on the project!

It even has a book trailer!

Have Blaster, Will Travel from jrblackwell on Vimeo.

What I’m Working On

The Size of your SheetJust a quick update while I have a few minutes.

  • For those that missed it, I was approached by OWbN Girls to do an interview elaborating on my blog post “What I Learned from OWbN Girls.” You can hear the hour-long interview over at Soundcloud.
  • There’s been some idle talk about doing a feature over at that podcast, covering all kinds of topics about LARP culture, game theory, and the like. I’ll keep you posted.
  • I’ve also been approached about doing a piece with the Flagons and Dragons podcast about horror gaming. Again, I’ll keep you posted on that.
  • I sent off the final draft of “I Knew Him” for the The Play’s The Thing fiction anthology. The editor was really pleased with the rewrite, as was I — I think it’s much better now. I should be getting a proof to review soon-ish, and then hopefully you’ll have another chance to buy my stuff.
  • I’ve also been approached to contribute to two more anthologies. Right now, it’s still at the hush hush stage, but once I know more I’ll pass that along.
  • I’ve finished off my contribution to Werewolf: the Apocalypse – 20th Anniversary Edition, and Ethan is now diligently doing redlines for many, many writers.
  • With everything going on, I haven’t had a chance to even touch Watson is Not an Idiot (my “Tour de Holmes” essays). Maybe April? I do want to get that done, but paying work right now trumps personal projects.
  • I’ve been idly talking with a publisher about taking the fantasy RPG I’ve been working on (Bloodmourne) and doing something with it. That’s a much longer scale project, if it even happens, but it’s something else bouncing in the back of my head. Don’t worry — it’ll have vampires in it.
  • I do plan to do some more “What I Learned” posts — just haven’t had much time to sit down and put my thoughts in order.

Peer Review: “City of the Lost” by Stephen Blackmoore

I hadn’t planned to do another Peer Review post so soon after the last one, but this entire weekend was a lot of things taking much longer than anticipated and me being stuck with my iPhone (and the nook app), so I ended up reading City of the Lost in a weekend. And it was totally worth it.

On the surface, it’s got a lot in common with Double Dead. It’s a premiere novel. The protagonist is undead and generally disreputable, and part of the plot revolves around the character coming to terms with a new state of being. Also, both authors don’t shy away from bad language and splatterpunk gore. Oh, and zombies show up in both. But that’s where the similarities end.

City of the Lost is, essentially, a modern-day crime novel. The protagonist, Joe Sunday, is a hitman for a local mobster who, through a variety of mishaps, ends up turned into a zombie. Because that’s just what happens in L.A. And yet, the supernatural elements don’t end up overpowering the plot — the story slips in and out of the mystical parts effortlessly, making them feel like a natural part of a story that is really about one man’s attempt to get what’s owed him, and maybe a little payback if he can get it. In truth, while I starting thinking Chuck Wendig when I started the book, towards the middle the book felt more like Seth Harwood‘s Jack Palms novels, and by the end I found myself in love with Stephen’s unique voice. You can point to a lot of things it’s kind of like, but it’s not exactly like any of them.

I am eager to see what Stephen Blackmoore does next in this world.

Peer Review: Double Dead, by Chuck Wendig

One of the disadvantages of having lots of talented writers and designers as friends is that I end up with more books to read or games to play than I have time to read or play them. I know that one of the best ways to help a fellow writer out is to write a review, and I sometimes regret that I don’t always have the time to do that.

When I saw that I had a couple of dozen ebooks in my Kindle app on my iPad that I hadn’t read yet, I decided to try and do something about it. So I’m starting a new feature on my blog called “Peer Review.” These are highly biased reviews, because they’ll be of the work of my friends, acquaintances, and colleagues, but it’s a chance to help some friends out, and a chance to expose some great work to people who might not otherwise have heard of them.

Let me start off with a quick story. When I was visiting my mom a couple of weeks ago, I met my stepsister’s boyfriend for the first time for dinner, and we fell into talking about vampire and zombie movies. He pointed out that he didn’t know of any movie or book which featured both zombies and vampires. I pointed out that there is one book where this is true.

Thus: Double Dead.

Double Dead is Chuck Wendig‘s first published novel. That seems weird to me, since I’ve been working with Chuck for years, and I feel like he’s always been more prolific than the rest of reality considers him to be — something, I will note, that he’s been rapidly working to correct the past year or so. And this book showcases some of the best of Chuck’s technique and narrative voice. A number of people know Chuck for his intensely surreal and foul-mouthed patter, but I’ve always known Chuck as a very subtle storyteller. The profanity and scatological humor are like a magician’s flourish: a distraction to draw your attention away from the real magic, the engaging story that’s dragging you along and making you care about the characters and the world he’s creating.

A perfect example of this is the protagonist: Coburn the vampire. He wakes up in the middle of a zombie apocalypse, and is pissed off that blood has basically stopped falling into his mouth. He is, to put it mildly, the worst kind of self-entitled asshole. And yet, by the end, I was rooting for Coburn (and his dog), even during the worst parts of the zombie apocalypse. Sure, there’s a lot of pure fun in the story, the kind of enjoyable ass-kicking and crass humor that makes for a good action film. For 80% of the book I felt I knew exactly where the plot was going, and I was enjoying it like a good road trip — the journey meant more to me then the destination. And then, a number of twists hit me like rabbit punches to the gut, and it was all over. I was down for the count, staring at the words THE END and wondering how in the hell I ended up on the floor.

… I lost the metaphor a bit there. I’m still recovering from the end of the book.

Go get Double Dead.

A Garbage Bag of Bottles

Bag of Bottles

I wrote a draft of this blog post last weekend, while sitting in an apartment in Lakewood, Ohio — the apartment my mom and my Uncle Tim rented. It was a beautiful two floor house with each floor divided into a separate living unit. The layout was surprisingly similar to the one Michelle and I had when we first moved to St. Louis nearly nine years ago. The place felt comfortable, and it felt natural to throw my coat over a chair and sit at the table to write, just like I did when I was starting as a freelance writer.

It was also the apartment my uncle’s corpse was found in, surrounded by empty vodka bottles, the carpet black with his own bloody vomit.

As Mom’s boyfriend, Bill, drove us back to his house from the plane, she told me what had happened. Uncle Tim had come home drunk again. “It’s like he’s two different people,” she said, “and I can’t stand the one that drinks.” She left to spend a few days with Bill, afraid of what she would say or do if she stayed and watched him drink again. By the time she came back, he was dead, face down on his bed. All of the empty bottles of alcohol around him filled a garbage bag by themselves.

Her voice was sad and a little shaken, but mostly she sounded resigned. This is an old story with our family. Uncle Tim once tried to commit suicide with pills while drunk. My Uncle Mike succeeded — the same Uncle Mike who encouraged me when I was very young to make art and follow my dreams. The same Uncle Mike who walked in on his father, my grandfather, after he had drunk himself to death. As my mom tells it, Grandpa picked up a bottle right after Grandma’s funeral, and proceeded to drink for the next two years until he was dead.

Bill’s a nice guy — I really like him, and I think he’s good for my mom. I haven’t seen my mom in years, and as we talked we fell back into old, comfortable rhythms. I’ve missed her, and she’s missed me. But she suggested quietly that I could stay at the apartment if I wanted, and I agreed. I needed some time alone, time to think things through, time to sweep my metaphorical bottles into a garbage bag.

Since I found out what happened last week, I’ve mostly just felt numb. I haven’t seen Uncle Tim in the flesh for 20 years, since I took a train with my mom to visit him in Colorado in 1992. He’s not a total stranger to me, but I have trouble calling his face to mind. I can’t say I feel a loss for something I barely had in my life. But I do remember all the phone calls from my mom over the past few years, all of the frustration and hurt and confusion of watching him drink himself to death. All of the lies about missed bills, all of the failed jobs, all of the fights with bosses and crushed fenders and empty bottles.

Really, I think I’m angry at him, at the men in my family, at the steady parade of death that comes one drink at a time. Three of the men in my family were plunged into depression, gripped by a dark mood that prompted them to kill themselves sip by sip. The Sweeney legacy: a garbage bag of bottles.

All that said, I’m generally at peace right now. I know I’m not them, not held in the same grip as they were. For all the darkness surrounding this, I think things will improve from here, for me and my mom. I certainly have the occasional moment when I’m not sure what to feel, when my mind is a little cloudy and I wonder what I’m really feeling. But all in all, I’m just relieved that my mom doesn’t have to go through any of this ever again.

Death in the Family

This is a little hard to write, but blogging about this is the easiest way to reach the largest amount of people all at once.

Last night, I got a call from my mom as we were starting our D&D game. It turns out that my uncle, who has been struggling with alcoholism for years now, is now dead. She gave me a few details, but to be honest I was pretty numb for the rest of the evening, so I don’t remember them all, and I didn’t want to push my mom while she was having a calm moment  Sadly, this kind of death is nothing new for my family.

I have purchased airplane tickets back to Ohio, and I will be there for a few days. I’ll have my iPad with me, so I may be online as wireless connections permit, but don’t expect a lot out of me for a little while; I am giving myself permission to check out mentally for a few days while I help my mom. I’m not sure how I’ll be after seeing my mom again — I’m looking forward to it, mind you, but grief hits everyone differently — so while I’ll be back in Atlanta by Tuesday, I may or may not be fully up to speed by then.

Also, now would be a really bad time to complain to me about your copy of V20 or bitch about something I posted or whatever.